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{"id":3384,"date":"2020-03-07T10:30:11","date_gmt":"2020-03-07T10:30:11","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=3384"},"modified":"2020-03-04T16:33:33","modified_gmt":"2020-03-04T16:33:33","slug":"panel-ageism-in-film-and-tv","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2020\/03\/panel-ageism-in-film-and-tv\/","title":{"rendered":"Panel: Ageism in Film and TV"},"content":{"rendered":"

Despite all discussion about inclusion in the film industry, ageism doesn\u2019t seem to get old. On the verge of International Women\u2018s Day, Filmnetzwerk Berlin, Berlin Feminist Film Week 2020 and Women+ Film Network Berlin present a discussion on a topic that is often forgotten and yet has strongly shaped the representation of women* in the media.<\/p>\n

Is it true that roles for people aged 50+ are scarce and older women* \u2013 especially senior women* of color \u2013 are almost invisible on screen? Which challenges do we face in terms of age discrimination in casting and hiring? How does ageism determine the choices we make as writers, directors and producers? Will we ever grow out of our obsession with youth?<\/p>\n

During our panel we will take a closer look at the representation of age in cinema, speak about the ways in which ageism limits careers and discuss possibilities to shift the narrative around aging.<\/p>\n

Panelists:<\/p>\n

Dr. Nata\u0161a Pivec is a creative academic, born in Slovenia, now living in Berlin since 2017. Got her Ph.D. degree in sociology of gender at Faculty of Social Sciences (Ljubljana, Slovenia), which focused on Othering and film. Has published several academic papers on sexism, ageism and popular media, runs her own blog \u201cthe Other matters\u201d and lectured at several institutions (among others, HU Berlin). Ex-journalist, copywriter, DJ, but current cultural analyst, film worker, lecturer, researcher and consultant.
\nwww.theothermatters.net<\/p>\n

Greta Amend is a german actress, director, lecturer, researcher, former casting director, artist, and producer for film and theatre. She has been teaching actors and directors in european film and theatre schools, such as the National Danish Film School, the Danish National School of Performing arts in Copenhagen, the Actors Center, Oslo, and the German Film and Television Academy (dffb) Berlin. She was a casting director for more than 50 productions in film and television, and is currently working as a producer for film and theatre with her german-skandinavian group “Superbohemians”.
\nhttps:\/\/www.greta-amend.com\/
\nhttps:\/\/www.superbohemians.com\/<\/p>\n

Sema Poyraz has been working as a film director, screenwriter and actress for film, television and theatre since 1980. She studied directing at the German Film an Television Academy Berlin, her graduation film G\u00f6lge (1980) is considered an early precursor of German-Turkish cinema. Since then, she has directed several feature films, taught at the Bilgi University in Istanbul and been a festival jury member. In 2013 she won the Golden Tulip as Best Actress at the Istanbul Film Festival and worked as an actress with directors such as Helma Sanders-Brahms, Tuncel Curtiz, Sinan Akku\u0219 and Hakan Sava\u015f Mican. She is currently a member of the ensemble of Maxim Gorki Theater.<\/p>\n

The discussion will be held in English and the entry is free of charge. You are welcome to stay for a get-together after the discussion and have a coffee with the members of Filmnetzwerk Berlin and the Women+ Film Network Berlin!<\/p>\n","protected":false},"excerpt":{"rendered":"

Despite all discussion about inclusion in the film industry, ageism doesn\u2019t seem to get old. On the verge of International Women\u2018s Day, Filmnetzwerk Berlin, Berlin […]<\/p>\n","protected":false},"author":2,"featured_media":3385,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[35,33,34],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3384"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=3384"}],"version-history":[{"count":3,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3384\/revisions"}],"predecessor-version":[{"id":3388,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3384\/revisions\/3388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/3385"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=3384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=3384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=3384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}