After losing her job, Emily arrives home early from work to find her girlfriend in the throes of passion with someone else. In an instant, her entire life is turned upside down. Moving in with her best friend, Emily lands a new gig working for a dominatrix, and promptly falls for her new boss, and her boss\u2019s boyfriend.
\nIn this wise and witty look at the world of bisexuality, polyamory and dungeons, filmmaker Laura Madalinski asks us to consider what risks are worth taking for love.<\/p>\n

Two in the Bush is a true indie rom-com gem that shies away from the normative narrative. The film was hot over only 10 days with only 50k USD budget with a mainly queer and female crew. This is director Laura Madalinski’s and her partner Kelly Haas’ love letter to the queer, sex worker and polyamorous communities, as they need and deserve their own rom-com love stories.<\/p>\n

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After losing her job, Emily arrives home early from work to find her girlfriend in the throes of passion with someone else. In an instant, […]<\/p>\n","protected":false},"author":2,"featured_media":3382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,32],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3380"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=3380"}],"version-history":[{"count":2,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3380\/revisions"}],"predecessor-version":[{"id":3389,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3380\/revisions\/3389"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/3382"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=3380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=3380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=3380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}