It\u00a0is\u00a0not\u00a0a\u00a0surprise\u00a0that\u00a0film\u00a0and\u00a0especially\u00a0film\u00a0business\u00a0reproduces\u00a0and\u00a0affirms\u00a0gender\u00a0discrimination<\/span>\u00a0<\/span><\/div>\n<\/div>\n

and\u00a0stereotypes.\u00a0The\u00a0silencing\u00a0of\u00a0women*\u00a0and\u00a0queer\u00a0perspectives\u00a0in\u00a0the\u00a0history\u00a0of\u00a0film\u00a0happened<\/span>\u00a0<\/span><\/div>\n<\/div>\n

and\u00a0happens\u00a0under\u00a0various\u00a0combinable\u00a0forms:\u00a0passivity,\u00a0invisibility,\u00a0objectification.\u00a0So<\/span>,<\/span>\u00a0what\u00a0about<\/span>\u00a0<\/span><\/div>\n<\/div>\n

the\u00a0counter-narratives\u00a0of\u00a0women*filmmakers,\u00a0their\u00a0stories\u00a0and\u00a0voices?<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n

In\u00a0this\u00a0workshop\u00a0we\u00a0want\u00a0to\u00a0have\u00a0a\u00a0look\u00a0at\u00a0the\u00a0innumerable\u00a0empty\u00a0spaces\u00a0in\u00a0the\u00a0history\u00a0of\u00a0film\u00a0and<\/span>\u00a0<\/span><\/div>\n<\/div>\n

film\u00a0industry\u00a0regarding\u00a0women*’s\u00a0perspectives\u00a0–\u00a0at\u00a0work\u00a0behind\u00a0the\u00a0camera,\u00a0as\u00a0directors\u00a0of\u00a0fiction<\/span>\u00a0<\/span><\/div>\n<\/div>\n

and\u00a0documentary.\u00a0We\u00a0want\u00a0to\u00a0discuss\u00a0and\u00a0exchange\u00a0about\u00a0continuities\u00a0of\u00a0silencing\u00a0<\/span>feminist<\/span>\u00a0<\/span><\/div>\n<\/div>\n

perspectives\u00a0in\u00a0film\u00a0and\u00a0film\u00a0business.\u00a0In\u00a0various\u00a0group\u00a0constellation,\u00a0we\u00a0discuss,\u00a0analyze,\u00a0compare,<\/span>\u00a0<\/span><\/div>\n<\/div>\n

put\u00a0in\u00a0perspective\u00a0and\u00a0learn\u00a0from\u00a0each\u00a0other\u00a0about\u00a0blank\u00a0spaces\u00a0in\u00a0historiography\u00a0of\u00a0film.\u00a0From\u00a0the<\/span>\u00a0<\/span><\/div>\n<\/div>\n

beginning\u00a0of\u00a0cinema\u00a0until\u00a0now,\u00a0we\u00a0look\u00a0at\u00a0various\u00a0examples,\u00a0their\u00a0work,\u00a0ideas\u00a0and\u00a0ideals.\u00a0Which<\/span>\u00a0<\/span><\/div>\n<\/div>\n

voices\u00a0were\u00a0and\u00a0are\u00a0heard?\u00a0The\u00a0workshop\u00a0is\u00a0about\u00a0deconstructing,\u00a0writing\u00a0anew,\u00a0taking\u00a0one\u2019s\u00a0place,<\/span>\u00a0<\/span><\/div>\n<\/div>\n

claiming,\u00a0collective\u00a0knowledge\u00a0production\u00a0and\u00a0empowerment.<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n

\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n

TINT\u00a0<\/span>Filmkollektiv<\/span>:<\/span>\u00a0<\/span>\u00a0<\/span><\/strong><\/div>\n<\/div>\n<\/div>\n
\n
\n
Aline\u00a0and\u00a0Hanna\u00a0are\u00a0part\u00a0of\u00a0TINT\u00a0<\/span>Filmkollektiv<\/span>\u00a0<\/span>,<\/span>\u00a0a\u00a0Berlin-based,\u00a0international\u00a0women*s\u00a0filmmaking<\/span>\u00a0<\/span><\/div>\n<\/div>\n
\n
collective.\u00a0<\/span>TINT\u00a0members\u00a0develop,\u00a0produce,\u00a0direct,\u00a0shoot,\u00a0edit\u00a0and\u00a0master\u00a0documentary,\u00a0fictional\u00a0and<\/span>\u00a0<\/span><\/div>\n<\/div>\n
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experimental\u00a0films.\u00a0Moreover,\u00a0they\u00a0design\u00a0and\u00a0hold\u00a0filmmaking\u00a0workshops\u00a0for\u00a0kids,\u00a0teens,\u00a0and\u00a0adults.<\/span>\u00a0<\/span><\/div>\n<\/div>\n
\n
TINT\u00a0organizes\u00a0work\u00a0based\u00a0on\u00a0solidarity\u00a0and\u00a0empowerment,\u00a0on\u00a0joint\u00a0decisions\u00a0and\u00a0shared<\/span>\u00a0<\/span><\/div>\n<\/div>\n
\n
responsibilities.<\/span>\u00a0<\/span>Feminist\u00a0issues\u00a0and\u00a0political\u00a0involvement\u00a0are\u00a0of\u00a0key\u00a0importance\u00a0to\u00a0TINT\u00a0members,\u00a0as<\/span>\u00a0<\/span><\/div>\n<\/div>\n
\n
well\u00a0as\u00a0creative\u00a0and\u00a0interdisciplinary\u00a0exchange.<\/span>\u00a0<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n
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Aline<\/span><\/strong>\u00a0<\/strong>edits\u00a0films\u00a0and\u00a0videos,\u00a0and\u00a0gives\u00a0workshop\u00a0for\u00a0adults,\u00a0young\u00a0people\u00a0and\u00a0children\u00a0\u2013\u00a0always\u00a0with<\/span>\u00a0<\/span><\/div>\n<\/div>\n
\n
a\u00a0heart\u00a0for\u00a0intercultural\u00a0contexts.<\/span>\u00a0<\/span>She\u00a0also\u00a0works\u00a0in\u00a0the\u00a0fields\u00a0of\u00a0postproduction,\u00a0communication\u00a0in<\/span>\u00a0<\/span><\/div>\n<\/div>\n
\n
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around\u00a0diversity,\u00a0representation,\u00a0new\u00a0technologies,\u00a0media\u00a0and\u00a0(post-)colonialism.<\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n
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Hanna<\/span><\/strong>\u00a0<\/span>studied<\/span>\u00a0<\/span>art,\u00a0art\u00a0history\u00a0and\u00a0<\/span>documentary\u00a0filmmaking<\/span>\u00a0and\u00a0<\/span>teaches\u00a0educational\u00a0film\u00a0workshops<\/span>\u00a0<\/span><\/div>\n<\/div>\n
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for\u00a0teenagers\u00a0and\u00a0young\u00a0adults.<\/span>\u00a0<\/span>Currently,\u00a0she\u00a0works\u00a0<\/span>in\u00a0a\u00a0research\u00a0project\u00a0\u201c<\/span>Cinematic\u00a0Discourses\u00a0of<\/span>\u00a0<\/span><\/div>\n<\/div>\n
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<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
It\u00a0is\u00a0not\u00a0a\u00a0surprise\u00a0that\u00a0film\u00a0and\u00a0especially\u00a0film\u00a0business\u00a0reproduces\u00a0and\u00a0affirms\u00a0gender\u00a0discrimination\u00a0 and\u00a0stereotypes.\u00a0The\u00a0silencing\u00a0of\u00a0women*\u00a0and\u00a0queer\u00a0perspectives\u00a0in\u00a0the\u00a0history\u00a0of\u00a0film\u00a0happened\u00a0 and\u00a0happens\u00a0under\u00a0various\u00a0combinable\u00a0forms:\u00a0passivity,\u00a0invisibility,\u00a0objectification.\u00a0So,\u00a0what\u00a0about\u00a0 the\u00a0counter-narratives\u00a0of\u00a0women*filmmakers,\u00a0their\u00a0stories\u00a0and\u00a0voices?\u00a0 In\u00a0this\u00a0workshop\u00a0we\u00a0want\u00a0to\u00a0have\u00a0a\u00a0look\u00a0at\u00a0the\u00a0innumerable\u00a0empty\u00a0spaces\u00a0in\u00a0the\u00a0history\u00a0of\u00a0film\u00a0and\u00a0 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