In the heart of Chinatown, New York, an ornery, chain-smoking, newly widowed 80-year-old grandma (Tsai Chin) is eager to live life as an independent woman, despite the worry of her family. When a local fortune teller (Wai Ching Ho\u00a0) predicts a most auspicious day in her future, Grandma decides to head to the casino and goes all in, only to land herself on the wrong side of luck\u2014suddenly attracting the attention of some local gangsters. Desperate to protect herself, Grandma employs the services of a bodyguard (Corey Ha) from a rival gang and soon finds herself in the middle of a Chinatown gang war.<\/p>\n

Director\u00a0Sasie Sealy\u00a0brings to life a dark comedy about immigrant life, the vulnerabilities of aging, and an unexpected friendship. Set in alleyways, casino buses, and underground mahjong parlors with a cast of richly drawn characters\u2014including Taiwanese breakout talent Corey Ha\u2014Lucky Grandma<\/em>\u00a0is a love letter to Chinatown and an homage to all the badass elderly women who inhabit it.<\/p>\n

(German Premiere)<\/strong><\/p>\n

 <\/p>\n

Text: Tribeca Film Festival<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

In the heart of Chinatown, New York, an ornery, chain-smoking, newly widowed 80-year-old grandma (Tsai Chin) is eager to live life as an independent woman, […]<\/p>\n","protected":false},"author":2,"featured_media":3176,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,32],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3175"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=3175"}],"version-history":[{"count":3,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3175\/revisions"}],"predecessor-version":[{"id":3312,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3175\/revisions\/3312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/3176"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=3175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=3175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=3175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}