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{"id":3167,"date":"2020-03-06T17:45:44","date_gmt":"2020-03-06T17:45:44","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=3167"},"modified":"2020-03-01T19:55:54","modified_gmt":"2020-03-01T19:55:54","slug":"shorts-subtle-whisperers","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2020\/03\/shorts-subtle-whisperers\/","title":{"rendered":"Shorts: Subtle Whisperers"},"content":{"rendered":"

Not every piece of art is loud in its statements and not all questions are to be posed right in your face. Instead they are laid out in more subtle ways – like whispers. This short film program is tackling questions of loneliness, mental and physical struggles, silent imaginations and unknown and denied desires in a beautiful pacing, from various perspectives.<\/p>\n

Girl and Body<\/strong><\/a><\/p>\n

Charlotte Mars \/ Australia \/ 18 min<\/p>\n

Afloat<\/strong><\/a><\/p>\n

\u00c8ve-Chems de Brouwer \/ France \/ 20 min<\/p>\n

Elephant in the room<\/strong><\/a><\/p>\n

Chanelle Eidenbenz \/ Switzerland \/ 20 min<\/p>\n

Love thy neighbour<\/a><\/strong><\/p>\n

Amanda Aagard, Alexander Toma \/ Sweden \/ 15 min<\/p>\n

What do you know about the water and the moon?<\/strong><\/a><\/p>\n

Layla Jian Luo \/ China \/ 16 min<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Not every piece of art is loud in its statements and not all questions are to be posed right in your face. Instead they are […]<\/p>\n","protected":false},"author":2,"featured_media":3293,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,32],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3167"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=3167"}],"version-history":[{"count":5,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3167\/revisions"}],"predecessor-version":[{"id":3377,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3167\/revisions\/3377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/3293"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=3167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=3167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=3167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}