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{"id":3163,"date":"2020-03-08T12:45:46","date_gmt":"2020-03-08T12:45:46","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=3163"},"modified":"2020-03-05T09:05:28","modified_gmt":"2020-03-05T09:05:28","slug":"shorts-somebody-told-herstory","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2020\/03\/shorts-somebody-told-herstory\/","title":{"rendered":"Shorts: SomeBody told HerStory"},"content":{"rendered":"

How we retell stories and what bodies that tell those stories are crucial for our understanding of ourselves and of a specific time and place. Retold narratives disclose power relations, both present and past, and reveal which bodies that are remembered and presented as important. In this short film program we want to tell HerStory and put emphasis on storytelling of different Bodies, addressing important topics as the right to move freely, sexual harassment, consent, abuse and violence, self-love and body positivity, the right to share your body with the ones you love and the disregard of bodies as portrayed through endometriosis.<\/p>\n

Trigger warning: Sexual violence<\/p>\n

Thread<\/strong><\/a><\/p>\n

Yuri Jang \/ 2019 USA\/South Korea \/ 8 min<\/p>\n

Metro<\/a><\/strong><\/p>\n

Ximena Campuzano Hurtado \/ 2019 Mexico \/ 4 min<\/p>\n

Feminist rage<\/a><\/strong><\/p>\n

Nadin Heinke \/ 2019 Germany \/ 1 min<\/p>\n

MC Jess<\/a><\/strong><\/p>\n

Carla Villa-Lobos \/ 2018 Brazil \/ 20 min<\/p>\n

End-O<\/strong><\/a><\/p>\n

Alice Seabright \/ 2019 UK \/ 15 min<\/p>\n

Control<\/a><\/strong><\/p>\n

Abby Jane Dunn \/ 2018 Australia \/ 8 min<\/p>\n

Self-combers<\/strong><\/a><\/p>\n

Joana Correia \/ 2019 Portugal\/China \/ 11 min<\/p>\n

Bodies like Ocean<\/a><\/strong><\/p>\n

KC Cory \/ 2019 USA \/ 13 min<\/p>\n

Summer in the city<\/strong><\/a><\/p>\n

Mia Jessup \/ 2019 USA \/ 3 min<\/p>\n","protected":false},"excerpt":{"rendered":"

How we retell stories and what bodies that tell those stories are crucial for our understanding of ourselves and of a specific time and place. […]<\/p>\n","protected":false},"author":2,"featured_media":3206,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,32],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3163"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=3163"}],"version-history":[{"count":10,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3163\/revisions"}],"predecessor-version":[{"id":3372,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3163\/revisions\/3372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/3206"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=3163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=3163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=3163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}