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{"id":3092,"date":"2020-02-15T15:50:27","date_gmt":"2020-02-15T15:50:27","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=3092"},"modified":"2020-02-15T16:46:56","modified_gmt":"2020-02-15T16:46:56","slug":"love-thy-neighbour","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2020\/02\/love-thy-neighbour\/","title":{"rendered":"Love Thy Neighbour"},"content":{"rendered":"

Somewhere in a dystopian world a woman sees that her neighbour forgot to lock the door. Controlled by her naive curiosity she decides to break into his apartment. During her visit she uncovers a forbidden erotic painting. The woman, who has never exposed to this kind of art, feels something awakening inside of her. She finds and steals her neighbours spare key, knowing that she has to return. During her forthcoming visits she examines more and more personal belonging of her neighbour. She discovers literature, music and even dance. But the arts unleash an even bigger affection and lust. How far is she willing to go to calm her now uncontrollable needs?<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Somewhere in a dystopian world a woman sees that her neighbour forgot to lock the door. Controlled by her naive curiosity she decides to break […]<\/p>\n","protected":false},"author":3,"featured_media":3093,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3092"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=3092"}],"version-history":[{"count":3,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3092\/revisions"}],"predecessor-version":[{"id":3115,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/3092\/revisions\/3115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/3093"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=3092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=3092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=3092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}