Films:<\/strong><\/em><\/p>\n San Miguel<\/a> \/ 2018 \/\u00a0Cris Gris \/ Mexico \/ 18 min<\/p>\n In order to heal her grieving mother, Ana, a devout 9-year-old girl, pushes her faith to its limit in hopes of divine intervention.<\/p>\n Foren<\/a> \/ 2016 \/\u00a0Sushma Khadepaun \/ United States, India \/ 9 min<\/p>\n On a hot summer afternoon, Tanu and her grandma inquire of a world outside the bounds of their home.<\/p>\n Brave Little Army<\/a> \/ 2018 \/\u00a0Michelle D’Alessandro Hatt \/ Canada \/ 6 min<\/p>\n The bold new girl at school inspires three classmates to follow her down a blissful path of self-realization, where they stumble upon a dark truth that forever galvanizes their friendship. Made with an all-female crew.<\/p>\n Aya<\/a> \/ 2017 \/ Moufida Fedhila \/ Tunisia \/ 24 min<\/p>\n In Tunis lives Aya, a smart little girl, with her Salafist parents. But one day a special event disrupts the life of this family.<\/p>\n Skjemt Blod<\/a> \/ 2018 \/ Gwenmarie White \/ United States \/ 6 min<\/p>\n In her CalArts thesis, SKJEMT BLOD (which translates to \u201cbad blood\u201d or \u201ctainted blood\u201d in Norwegian), Gwenmarie White uses what she has coined \u201cgirl kvlture\u201d as a vehicle for meditation on American brutality. The orchestral black metal adaptation of Taylor Swift\u2019s \u201cBad Blood\u201d takes advantage of the tension between the sounds and images of pop culture and metal culture to call attention to larger aspects of violence and pleasure. \u201cMy goal is to always straddle the line between critique and complicity,\u201d says White, \u201cbecause it is a critique\u2026but it\u2019s also a love letter.\u201d The line in SKJEMT BLOD is always moving, digging stubbornly and disturbingly deeper into tropes and stereotypes rather than dismantling them. Suburban whiteness rears its ugly (but also, like, really, really pretty) head, proving that \u201ctrve\u201d brutality takes many forms, and moves with an insidious ease throughout the institutions of late-stage capitalism.<\/p>\n Samira<\/a> \/ 2018 \/\u00a0Lainey Richardson \/ United Kingdom \/ 3 min<\/p>\n A coming of age documentary portrait about 19-year old Samira. From becoming the first female in history to join her University\u2019s all male American football team, to getting the lead in Shakespeare\u2019s Othello, Samira redefines what it means to be a woman in modern day Britain, in this visual exploration of youth, identity and womanhood.<\/p>\n Dressed<\/a> \/\u00a0Katie Schiller \/ United States \/ 12 min<\/p>\n <\/p>\n If you’re interested in coming-of-age stories, we recommend you check out our screenings of the feature films\u00a0The Miseducation of Cameron Post<\/a>\u00a0or Boys Who Like Girls<\/a>!<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Films: San Miguel \/ 2018 \/\u00a0Cris Gris \/ Mexico \/ 18 min In order to heal her grieving mother, Ana, a devout 9-year-old girl, pushes […]<\/p>\n","protected":false},"author":3,"featured_media":2775,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2764"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=2764"}],"version-history":[{"count":7,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2764\/revisions"}],"predecessor-version":[{"id":2960,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2764\/revisions\/2960"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/2775"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=2764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=2764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=2764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}