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{"id":2726,"date":"2019-03-09T13:15:55","date_gmt":"2019-03-09T13:15:55","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=2726"},"modified":"2019-03-04T22:12:03","modified_gmt":"2019-03-04T22:12:03","slug":"shorts-beyond-cyborgs-and-fembots","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2019\/03\/shorts-beyond-cyborgs-and-fembots\/","title":{"rendered":"Shorts: Beyond Cyborgs and Fembots"},"content":{"rendered":"

Life without the WWW, our tiny screens and technology is now nearly unthinkable and has a crucial role not only in shaping our lives but also in the discourse on feminism. Not only does it allow for mobilizing beyond geographical location, but is a tool of self-expression that offers autonomy and lets us imagine future utopias or dystopias. While cyber-feminism has been around for a good 20+ years, the post-cyberfeminist world now offer endless opportunities but also pose new issues and questions. This program includes a number of short films all related to different use of technology – be it in our everyday lives or in the future.<\/p>\n

Films<\/em><\/strong><\/p>\n

Gemini<\/a> \/ 2018 \/ Mily Mumford \/ Canada \/ 13 min<\/p>\n

Angie is a popular figure in a near future VR Game \u201cGemini.\u201d On her way back home she meets a man called Chad on the subway platform. Through their conversation, Chad recognizes her voice and realizes they both play \u201cGemini\u201d and she is the game\u2019s star player. As sparks fly, they discover they have a past- which exposes the dark side of virtual reality and gaming.<\/p>\n

Like Me<\/a> \/ 2018 \/ Jessica Bishopp \/ United Kingdom \/ 5 min<\/p>\n

\u2018Like Me\u2019 explores how teenage girls use social media to create and construct their identity and how this impacts them. Reflecting on the relationship between identity and the internet, as 2019 marks the 30th anniversary of the World Wide Web. Created for the Barbican\u2019s \u2018The Art of Change\u2019, in partnership with The Smalls. This film is the product of an all female crew collaboration.<\/p>\n

V\/IRL<\/a> \/ 2018 \/\u00a0Malia Bruker \/ United States \/ 11 min<\/p>\n

Self-proclaimed feminist nihilist Lena NW creates post-internet video games, rap, and comics. NW\u2019s hypersexual art engages the complex relationship between commodification, domination, and self-empowerment in the internet age. Combining traditional documentary and virtual surrealism, V\/IRL explores not only the artist\u2019s themes, but also the formal techniques of contemporary, transdisciplinary art.<\/p>\n

Andromeda<\/a> \/ 2018 \/ Emily Dean \/ United States, Australia \/ 15 min<\/p>\n

ANDROMEDA is a sci-fi short film about an android who, through her friendship with a little girl, becomes alive.<\/p>\n

Upload to Story<\/a> \/ 2018 \/\u00a0Emma Pa\u030al Brunzell \/ Sweden \/ 11 min<\/p>\n

Two friends are poor and bored. They decide to take criminal actions, as they document the act through an app.<\/p>\n

Hello, Rain<\/a> \/ C.J. Obasi \/ Nigeria \/ 30 min<\/p>\n

Through an alchemical combination of juju and technology, a scientist-witch creates wigs which grant her and her friends supernatural powers. But when their powers grow uncontrollable, she must stop them by any means.<\/p>\n

 <\/p>\n

If you’ve got a passion for technology, you may be interested in our workshop\u00a0WOMEN* & TECH \u2013 How to Shoot a Video Tutorial<\/a>!\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Life without the WWW, our tiny screens and technology is now nearly unthinkable and has a crucial role not only in shaping our lives but […]<\/p>\n","protected":false},"author":3,"featured_media":2449,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2726"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=2726"}],"version-history":[{"count":9,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2726\/revisions"}],"predecessor-version":[{"id":2947,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2726\/revisions\/2947"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/2449"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=2726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=2726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=2726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}