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{"id":2524,"date":"2019-02-25T11:31:22","date_gmt":"2019-02-25T11:31:22","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=2524"},"modified":"2019-02-28T16:29:25","modified_gmt":"2019-02-28T16:29:25","slug":"deconstruction-the-susy-shock-chronicles","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2019\/02\/deconstruction-the-susy-shock-chronicles\/","title":{"rendered":"Deconstruction: The Susy Shock Chronicles"},"content":{"rendered":"

From the very heart of the Pachamama region to the centre of the capital cities, Susy Shock creates her own path, and travels, as if she were a comet brightening up the instant, whichever instant she crosses our path. High heels and make up, streets, poetry, friends and companions; all contribute to her condition of reinventing herself: not a man, not a woman, not xxy nor h2o; but a monster of the abnormal, a butterfly who wants to play and enjoy. It is the dichotomy of the visible and invisible in the setting of a person, in the deconstruction of an identity. And, above all, it is all about the struggle to be who you want to be. Who wants to be normal? … Let others be the norm.<\/span><\/p>\n

This film will be screened in our short film program\u00a0Life Goes On<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

From the very heart of the Pachamama region to the centre of the capital cities, Susy Shock creates her own path, and travels, as if […]<\/p>\n","protected":false},"author":3,"featured_media":2598,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2524"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=2524"}],"version-history":[{"count":3,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2524\/revisions"}],"predecessor-version":[{"id":2800,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2524\/revisions\/2800"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/2598"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=2524"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=2524"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=2524"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}