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{"id":250,"date":"2014-03-09T18:00:11","date_gmt":"2014-03-09T18:00:11","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=250"},"modified":"2015-02-11T20:11:58","modified_gmt":"2015-02-11T20:11:58","slug":"march-9-18-00","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2014\/03\/march-9-18-00\/","title":{"rendered":"Forbidden Voices"},"content":{"rendered":"Their voices are suppressed, prohibited and censored. But world-famous bloggers Yoani S\u00e1nchez, Zeng Jinyan and Farnaz Seifi are not frightened of their dictatorial regimes. These fearless women stand for a new, networked generation of modern rebels. In Cuba, China and Iran their blogs shake the foundations of the state information monopoly \u2013 putting their lives at great risk.<\/p>\n
Barbara Miller\u2019s film FORBIDDEN VOICES accompanies these brave young rebels on their dangerous journey and trace their use of social media like Facebook, YouTube and Twitter to denounce and combat the violations of human rights and freedom of speech in their countries \u2013 thereby triggering international resonance by building up enormous political pressure.<\/p>\n","protected":false},"excerpt":{"rendered":"
Their voices are suppressed, prohibited and censored. But world-famous bloggers Yoani S\u00e1nchez, Zeng Jinyan and Farnaz Seifi are not frightened of their dictatorial regimes. These […]<\/p>\n","protected":false},"author":1,"featured_media":78,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/250"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":8,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/250\/revisions"}],"predecessor-version":[{"id":364,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/250\/revisions\/364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/78"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}