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{"id":244,"date":"2014-03-12T19:30:14","date_gmt":"2014-03-12T19:30:14","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=244"},"modified":"2015-02-11T20:16:14","modified_gmt":"2015-02-11T20:16:14","slug":"thou-wast-mild-and-lovely-us-2014-josephine-decker","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2014\/03\/thou-wast-mild-and-lovely-us-2014-josephine-decker\/","title":{"rendered":"Thou Wast Mild and Lovely"},"content":{"rendered":"

A sensual thriller inspired by East of Eden and starring love, death, guns, goats and a farm in the wilds of Kentucky.<\/p>\n

When Akin arrives at the farm, he finds his job. This is what he expected to find. When Sarah opens her legs, she finds someone watching. This is what she expected to find. When Jeremiah opens his mouth, frightening things come out of it. This has come to be expected. But what happens by the creek next to the cow. This was not expected.<\/p>\n","protected":false},"excerpt":{"rendered":"

A sensual thriller inspired by East of Eden and starring love, death, guns, goats and a farm in the wilds of Kentucky. When Akin arrives […]<\/p>\n","protected":false},"author":1,"featured_media":205,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/244"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=244"}],"version-history":[{"count":10,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/244\/revisions"}],"predecessor-version":[{"id":357,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/244\/revisions\/357"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/205"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=244"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}