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{"id":2094,"date":"2018-03-11T20:30:16","date_gmt":"2018-03-11T20:30:16","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=2094"},"modified":"2018-03-01T07:32:24","modified_gmt":"2018-03-01T07:32:24","slug":"beyond-dreams-2","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2018\/03\/beyond-dreams-2\/","title":{"rendered":"Beyond dreams: intersecting perspectives of class, gender and migration"},"content":{"rendered":"

Beyond Dreams is set in the outskirts of Stockholm, in an area that more often than not is portrayed as grey and hopeless. More often then not, life in below average income areas is depicted as filled with criminality and drugs. The protagonist\u00a0of Beyond Dreams, Mirja, has just gotten out of jail. In an attempt to step up and take care of her family, Mirja finds out exactly how difficult it is just “just get a job” and make ends meet, as the ends up in precarious employment. But as opposed to films, this is a colorful depiction of the working class and a real girl power films with almost no male characters to support the female leads.<\/p>\n

After the film, we will discuss how the working class, gender, and migration intersect and are represented in film and media – both in Germany and in Sweden.<\/p>\n

Film<\/strong><\/em><\/p>\n

Rojda Sekers\u00f6z’s feature-film debut delivers a much-awaited women power punch.<\/p>\n

The gang’s friendship and dreams are put to the test when Mirja comes out after having served a prison sentence. Mirja decides to break from her past and try a new life. She faces either being loyal to her sick mother and younger sister or the friends who truly were her family. Beyond Dreams is about who you are expected to be and who you want to be, both in the chosen group and society beyond. A refreshing and funny film about young women.<\/p>\n

Panel discussion with:\u00a0<\/em><\/strong><\/p>\n

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Prof. Dr. Margreth L\u00fcnenborg <\/strong>is a professor in journalism and cultural studies at the FU Berlin. The main focus of her research is cultural studies, migration and media, and communicational gender studies. She has published a number of research\u00a0papers on the intersection of gender, migration, and class in German media.\u00a0<\/span><\/div>\n
<\/div>\n<\/div>\n
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Katharina P\u00fchl<\/strong>\u00a0works at Rosa-Luxemburg-Foundation Berlin in the field of feminist analysis of society and capitalism. Among other topics, she has been working on questions of gender and precarity\/precariarisation.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Nadire Y. Biskin<\/strong>\u00a0studied\u00a0philosophy\/ethics and\u00a0Spanish at the Humboldt University of Berlin. At the\u00a0moment\u00a0she\u00a0makes her\u00a0internship at\u00a0two\u00a0schools.\u00a0Besides that, she\u00a0writes for\u00a0several\u00a0magazines.\u00a0She\u00a0reached with a\u00a0work\u00a0about \u201eenhancement and\u00a0equal\u00a0opportunities\u201c the\u00a0third\u00a0place\u00a0by a\u00a0writing-competition of the Institute for\u00a0future\u00a0studies and\u00a0technology\u00a0assessment.\u00a0She\u00a0participates at the mentoring-program of Neue deutschen Medienmacher.\u00a0But in her\u00a0heart, she is still the\u00a0little\u00a0Turkish\u00a0girl\u00a0from Wedding.<\/p>\n

Sophia S\u00f6derquist<\/strong> is a Swedish Berlin-based filmmaker, whose film Nails is screening at the Berlin Feminist Film Week 2018.<\/p>\n","protected":false},"excerpt":{"rendered":"

Beyond Dreams is set in the outskirts of Stockholm, in an area that more often than not is portrayed as grey and hopeless. More often […]<\/p>\n","protected":false},"author":2,"featured_media":1848,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[27],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2094"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=2094"}],"version-history":[{"count":7,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2094\/revisions"}],"predecessor-version":[{"id":2097,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2094\/revisions\/2097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/1848"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=2094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=2094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=2094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}