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{"id":2088,"date":"2018-03-10T10:30:14","date_gmt":"2018-03-10T10:30:14","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=2088"},"modified":"2018-03-01T13:22:10","modified_gmt":"2018-03-01T13:22:10","slug":"ayanda-2","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2018\/03\/ayanda-2\/","title":{"rendered":"Ayanda"},"content":{"rendered":"
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Join us for the feel-good film Ayanda and breakfast on Saturday morning.<\/p>\n

Film<\/strong><\/em><\/p>\n

In a vibrant and diverse Johannesburg community, 21-year-old Afro-hipster Ayanda has a knack for taking neglected pieces of furniture and \u201cbringing them back to love\u201d. Eight years after her father\u2019s death, she is determined to revive his prized garage business, which is in deep debt and in danger of being sold. The film crackles with infectious energy and style, capturing a vividly contemporary view of South Africa. Inspired by the possibilities of a modern African aesthetic AYANDA explores a core theme of how we let go of the things and people we love.<\/p>\n

\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Breakfast menu (vegan)<\/em><\/strong><\/p>\n

Tofu scramble with homemade bread<\/p>\n

Vegan banana bread<\/p>\n

Coffe or tea<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Join us for the feel-good film Ayanda and breakfast on Saturday morning. Film In a vibrant and diverse Johannesburg community, 21-year-old Afro-hipster Ayanda has a […]<\/p>\n","protected":false},"author":2,"featured_media":1930,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2088"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=2088"}],"version-history":[{"count":3,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2088\/revisions"}],"predecessor-version":[{"id":2138,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2088\/revisions\/2138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/1930"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=2088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=2088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=2088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}