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{"id":2027,"date":"2018-03-02T16:55:22","date_gmt":"2018-03-02T16:55:22","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=2027"},"modified":"2018-03-02T16:55:22","modified_gmt":"2018-03-02T16:55:22","slug":"swarm-of-selenium","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2018\/03\/swarm-of-selenium\/","title":{"rendered":"Swarm of Selenium"},"content":{"rendered":"

In the surreal dystopian present, a group of friends cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from their mouths in the form of shattered glass, all are shaken, but some are hit harder than others. Through dance, visual work, and anti-work, they merge forces to try to care for one another and combat the insidious violent process which seems to increasingly come from within.<\/p>\n

Swarm of Selenium is a short sci fi film about collective healing, trauma, and other world-making. It was shot in Berlin in spring 2016 by a crew of more than 40 women, nonbinary and trans artists.<\/p>\n","protected":false},"excerpt":{"rendered":"

In the surreal dystopian present, a group of friends cohabit the shells of an abandoned malt factory. As a troubling pattern begins to emerge from […]<\/p>\n","protected":false},"author":3,"featured_media":2028,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2027"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=2027"}],"version-history":[{"count":1,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2027\/revisions"}],"predecessor-version":[{"id":2029,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2027\/revisions\/2029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/2028"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=2027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=2027"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=2027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}