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{"id":2004,"date":"2018-03-02T16:47:23","date_gmt":"2018-03-02T16:47:23","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=2004"},"modified":"2018-03-02T16:47:23","modified_gmt":"2018-03-02T16:47:23","slug":"lotte-that-silhouette-girl","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2018\/03\/lotte-that-silhouette-girl\/","title":{"rendered":"Lotte that Silhouette Girl"},"content":{"rendered":"Once upon a time,
\nA young German artist changed the world of animation
\nWith shadows, light, and a pair of magical scissors.
\nHer name was LOTTE.<\/p>\n
With music, magic and a stirring narration by Lotte herself, LOTTE THAT SILHOUETTE GIRL tells the tale of one of animations\u2019 biggest influencers, Lotte Reiniger. Yet despite her monumental innovations of creating the first feature length animation and inventing the multiplane camera, she remains a footnote in the history of film. This short documentary seeks to change that.<\/p>\n","protected":false},"excerpt":{"rendered":"
Once upon a time, A young German artist changed the world of animation With shadows, light, and a pair of magical scissors. Her name was […]<\/p>\n","protected":false},"author":3,"featured_media":2005,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[26],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2004"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=2004"}],"version-history":[{"count":2,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2004\/revisions"}],"predecessor-version":[{"id":2144,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/2004\/revisions\/2144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/2005"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=2004"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=2004"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=2004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}