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{"id":20,"date":"2014-03-08T19:30:24","date_gmt":"2014-03-08T19:30:24","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=20"},"modified":"2015-02-11T20:09:43","modified_gmt":"2015-02-11T20:09:43","slug":"march-8-19-30","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2014\/03\/march-8-19-30\/","title":{"rendered":"Eat, sleep, die"},"content":{"rendered":"Q&A with producer China \u00c5hlander<\/h4>\n
When the forceful young Muslim Swedish\/Balkan \u201ctake-no-shit\u201d factory worker Ra\u0161a loses her job, she faces the system of unemployment.\u00a0With no high school diploma, no job \u2013 but her boots deeply stained with the mud of the small town she grew up in \u2013 Ra\u0161a finds herself on collision course with society.<\/p>\n
Eat, Sleep, Die was awarded with four “Guldbaggar”, the Swedish national film award, for Best Screenplay, Best Actress, Best Director and Best Film and has been praised for showing a more realistic image of Sweden today.<\/p>\n
After the screening, China \u00c5hlander is present to answer questions and talk about the film.<\/p>\n
The screening is supported by the Swedish Embassy, Berlin.<\/p>\n","protected":false},"excerpt":{"rendered":"
Q&A with producer China \u00c5hlander When the forceful young Muslim Swedish\/Balkan \u201ctake-no-shit\u201d factory worker Ra\u0161a loses her job, she faces the system of unemployment.\u00a0With no […]<\/p>\n","protected":false},"author":1,"featured_media":77,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/20"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":23,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/20\/revisions"}],"predecessor-version":[{"id":374,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/20\/revisions\/374"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/77"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=20"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=20"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}