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{"id":1844,"date":"2018-03-11T11:30:15","date_gmt":"2018-03-11T11:30:15","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=1844"},"modified":"2018-02-28T21:57:44","modified_gmt":"2018-02-28T21:57:44","slug":"bloody-breakfast-women-in-horror","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2018\/03\/bloody-breakfast-women-in-horror\/","title":{"rendered":"Bloody Breakfast: Women in Horror"},"content":{"rendered":"

Berlin’s all female horror film festival has put together a very special guest program for us this year. At our Bloody Breakfast, we will cure your hangovers with both Bloody Mary’s and bloody films. After the short film program,\u00a0Final Girls Berlin<\/a> will tell you more about women, horror and their fascination for gruesome films. Tickets can be purchased with or without breakfast!<\/p>\n

 <\/p>\n

Films<\/em><\/p>\n

Nothing A Little Soap and Water Can\u2019t Fix \/ Jennifer Proctor \/\u00a0<\/em>US \/\u00a02017 \/ 9 min<\/em><\/p>\n

In films, as in life, the bathtub represents a private space for women \u2013 a place not only to groom, but to relax, to think, to be alone, to find sanctuary. For Hollywood, though, it\u2019s also a place of naked vulnerability, where women narratively placed in harm\u2019s way have no escape. Using appropriated movies, this experimental found footage work deconstructs the representations of women in this domestic space as historically framed in popular film.<\/p>\n

Metamorphosis \/\u00a0Elaine Xia \/ US\/China \/ 2017 \/ 14 min<\/em><\/p>\n

A woman in 1990s Hong Kong accidentally kills her alcoholic husband in self-defense, and finds a unique way to dispose of the evidence.<\/p>\n

Waste \/ Justine Raczkiewicz \/US \/ 2016 \/ 16 min<\/em><\/p>\n

Roger lives a grim and detached life, picking up medical waste for a living, but looks forward to his evening meals with his quirky roommate and foodie, Olive. But as the meals become increasingly strange, Roger must ask himself how far he will go for love?<\/p>\n

Home Education \/\u00a0Andrea Niada \/ UK \/ 2017 \/ 25 min<\/em><\/p>\n

Controlled by her mother and her bizarre teachings, an inquisitive girl is convinced her dead father will soon resurrect. Certain he has died to test their love for him, the two must prove how much they miss him and show no doubt of his return. However, when the corpse begins to rot, the girl is forced to reconsider the situation and decides to act alone to ensure her father will come back to life.<\/p>\n

Blood Sisters \/\u00a0Caitlin Koller \/ Australia \/ 2017 \/ 11 min<\/em><\/p>\n

Amateur witchcraft conjures up bloody consequences.<\/p>\n

Fry Day \/\u00a0Laura Moss \/ US \/ 2017 \/ 16 min<\/em><\/p>\n

A teenage girl comes of age against the backdrop of serial killer Ted Bundy\u2019s execution in 1989.<\/p>\n

Creswick \/\u00a0Natalie Erika James \/ Australia \/ 2016 \/ 9 min<\/em><\/p>\n

Sam\u2019s fear of her childhood home is brought to light when her ageing father claims there is another presence in the house.<\/p>\n

 <\/p>\n

Breakfast menu (vegan)<\/em><\/strong><\/p>\n

Tofu scramble with homemade bread<\/p>\n

Raw tapioca pudding with berries<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Berlin’s all female horror film festival has put together a very special guest program for us this year. At our Bloody Breakfast, we will cure […]<\/p>\n","protected":false},"author":2,"featured_media":1862,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[27],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1844"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=1844"}],"version-history":[{"count":7,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1844\/revisions"}],"predecessor-version":[{"id":2076,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1844\/revisions\/2076"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/1862"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=1844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=1844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=1844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}