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{"id":1779,"date":"2017-03-09T20:30:44","date_gmt":"2017-03-09T20:30:44","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=1779"},"modified":"2017-03-09T19:10:19","modified_gmt":"2017-03-09T19:10:19","slug":"prevenge-3","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2017\/03\/prevenge-3\/","title":{"rendered":"Prevenge"},"content":{"rendered":"

A pitch black, wryly British comedy from the mind of Alice Lowe (SIGHTSEERS, HOT FUZZ, PADDINGTON), PREVENGE follows Ruth, a pregnant woman on a killing spree that\u2019s as funny as it is vicious. It’s her misanthropic unborn baby dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood. PREVENGE marks the directorial debut from Lowe, who is a true triple threat, writing, directing, and acting in the film during her own real-life pregnancy.<\/p>\n","protected":false},"excerpt":{"rendered":"

A pitch black, wryly British comedy from the mind of Alice Lowe (SIGHTSEERS, HOT FUZZ, PADDINGTON), PREVENGE follows Ruth, a pregnant woman on a killing […]<\/p>\n","protected":false},"author":2,"featured_media":1635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[21],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1779"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=1779"}],"version-history":[{"count":1,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1779\/revisions"}],"predecessor-version":[{"id":1780,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1779\/revisions\/1780"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/1635"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=1779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=1779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=1779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}