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{"id":1633,"date":"2017-03-13T20:30:01","date_gmt":"2017-03-13T20:30:01","guid":{"rendered":"http:\/\/berlinfeministfilmweek.com\/?p=1633"},"modified":"2017-03-06T08:26:42","modified_gmt":"2017-03-06T08:26:42","slug":"prevenge-2","status":"publish","type":"post","link":"https:\/\/berlinfeministfilmweek.com\/2017\/03\/prevenge-2\/","title":{"rendered":"Prevenge"},"content":{"rendered":"

A pitch black, wryly British comedy from the mind of Alice Lowe (SIGHTSEERS, HOT FUZZ, PADDINGTON), PREVENGE follows Ruth, a pregnant woman on a killing spree that\u2019s as funny as it is vicious. It’s her misanthropic unborn baby dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood. PREVENGE marks the directorial debut from Lowe, who is a true triple threat, writing, directing, and acting in the film during her own real-life pregnancy.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

A pitch black, wryly British comedy from the mind of Alice Lowe (SIGHTSEERS, HOT FUZZ, PADDINGTON), PREVENGE follows Ruth, a pregnant woman on a killing […]<\/p>\n","protected":false},"author":2,"featured_media":1635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"_links":{"self":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1633"}],"collection":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/comments?post=1633"}],"version-history":[{"count":2,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1633\/revisions"}],"predecessor-version":[{"id":1636,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/posts\/1633\/revisions\/1636"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media\/1635"}],"wp:attachment":[{"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/media?parent=1633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/categories?post=1633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/berlinfeministfilmweek.com\/wp-json\/wp\/v2\/tags?post=1633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}